Jan Tschichold and the New Typography: Graphic Design Between the World Wars
by Jon Dowling·
Tracing the revolution in graphic design in the 1920s, a new exhibition at Bard Graduate Center in New York, displays materials assembled by typographer and designer Jan Tschichold (1902–1974) in Weimar Germany.
Published in Berlin in 1928, Tschichold’s book Die Neue Typographie was one of the key texts of modern design, partly due to its grasp of Constructivist ideas and new print technology, but equally, because it was a manual for practicing designers. In the years leading up to its publication, Tschichold struck up a correspondence with many European artist-designers, including Kurt Schwitters, El Lissitzky, László Moholy-Nagy, Herbert Bayer, Piet Zwart and Ladislav Sutnar, among others. In the course of this, Tschichold exchanged and acquired many examples of their design work, some pieces now quite famous (such as El Lissitzky’s 'Pro dva kvadrata' (The Story of Two Squares), while other items are modest and ephemeral, such as tourist brochures, handbills, headed notepaper, product catalogues and magazine advertisements.
This collection, purchased by Philip Johnson and donated to the Museum of Modern Art, will form the basis of this exhibition, tracing the development of the new ideas that revolutionised graphic design in the 1920s.
February 14th – July 7th 2019
38 West 86th St.
New York, NY 10024